Chris Chludenski studio visit
Q & A with Schoolhouse resident, photographer, and mobile maker, Chris Chludenski.
C & P: You make found object mobiles and also shoot Polaroid photographs. How long have you been creating your mobiles and taking photos? Do you prefer working in one medium over another?
Chris: I’ve been doing both for about thirteen years now. I don’t prefer one medium over another but i certainly produce more Polaroids than I do mobiles. I prefer photography as an artform, as I can take it with me as I go, whereas with the mobiles I need materials and a studio space.
C & P: What are you most frequently drawn to as subject matter in your photography work? How about with your found object mobiles? Is there a correlation between the work?
Chris: I try to say something with the mobiles and express my views. Polaroids for me are much more documentary and don’t necessarily have a message behind them.
C & P: Tell me a bit about your camera collection… How many do you have? Have you used all of them? Which is your favorite?
Chris: I’ve got about 350 cameras. Mostly Kodaks, made between 1890 and 1980, and Polaroids, plus few Imperials, Agfas, and Spartus. Some working, some not. I’ve used about a quarter of them, I bet. Most would be in working order if film were available, but some are just beautiful models I can’t part with. I like that the older cameras were much more stylish, inventive, and decorative than what is produced today. My favorite is between the Big Shot Polaroid, that Andy Warhol made famous in his portraits, or the Kodak Colorburst camera, which Polaroid sued Kodak over and had production of both cameras and film stopped because of patent infringement.
C & P: Now that Polaroid has gone out of business and the film is no longer available what do you shoot with?
Chris: Fuji makes a film compatible with many Polaroid Land Cameras. Also the Impossible Project manufactures instant Polaroid film for sx-70 cameras. The film itself is flawed and expensive, but the idea to keep Polaroid alive is admirable.
C & P: Do you ever shoot digitally or do you prefer to still use film?
Chris: It depends on what I’m shooting. I have a Nikon digital camera that I use sometimes. I’ve also got a Canon 35mm.
C & P: Do you feel that digital lacks a certain quality that you look for in an image?
Chris: It doesn’t lack anything, its just a different aesthetic. A different view of the same thing.
C & P: You studied at Emerson College in Boston, did you study photography there?
Chris: I earned my BA in Photojournalism.
C & P: Do you prefer living in New York to Boston?
C & P: How has living at the Schoolhouse influenced your work? If at all?
Chris: I’ve been able to see things differently and get new perspectives.
C & P: What artists have been an influence on you?
Chris: Alexander Calder has always been a huge inspiration to me. Robert Capa. Ralph Eugene Meatyard.
C & P: What could you imagine doing if you did not create art?
The Schoolhouse will be open:
Friday, the 1st – 5PM — 11PM
Saturday, the 2nd – 12PM — 11PM
Sunday, the 3rd – 12 PM – 8 PM
Augustin Doublet will be screening his new short film Adam all weekend.
Photos © Christine Navin. Do not reproduce without permission.